![though my soul may set in darkness though my soul may set in darkness](https://www.relicsworld.com/images/quotes/though-my-soul-may-set-in-darkness-it-will-rise-in-perfect-l-author-sarah-williams.jpg)
![though my soul may set in darkness though my soul may set in darkness](https://i.pinimg.com/originals/12/d2/52/12d252714d7fa1c97b9da72898cf5109.png)
Anyone who thinks hip hop is all about bitches, whips, and the glorification of violence sincerely needs to give this joint a listen. "Livin' In The City" is one such example, in which Evans brings a soulful vibe to some of Akrobatik's most intelligent and socio-political rhymes. When asked about why he endeavored to remix some of their joints, Evans noted that at some point every beatmaker thinks, "Man, I could have did something funky with that." On Black Mega, he more than lives up to this expectation, creating layered soundscapes that often outweigh the originals. He was already quite familiar with the work of these two MCs, having engineered and/or produced several tracks from their Perceptionists debut LP, Black Dialogue. This joint is from Black Mega: The Remixes, a project in which Evans reworked joints by Akrobatik and Mr. Counting James Brown and DJ Premier as his primary influences, Evans has undoubtedly set high-as-the-sky standards for the quality of his musical output. Although he initially made his mark as a skillful MC, he's just as, if not more, capable of crafting phenomenal beats. Hailing from Jacksonville, FL, Evans has been affiliated in one way or another with the likes of Asamov, The ABs, Deep Rooted, Therapy, and The Perceptionists. has been doing some amazing things in the hip hop underground for quite some time now, but is yet to receive the attention and glorification he rightfully deserves. There is ever so much more to his story, which is why I would encourage you to dig deeper. It's a fine deep soul ballad that Scott penned himself, and is more than worthy of receiving proper recognition.
![though my soul may set in darkness though my soul may set in darkness](https://www.storemypic.com/images/2016/11/23/sarah-williams-though-my-soul-may-set-in-darkness-quote-on-storemypic-1fca4.png)
Since many soul enthusiasts are already familiar with this much-storied track, I decided to post the underappreciated flip side instead. The record stayed at the top of the R&B charts and even crept in the pop top 40, so it seems as though this element of perfectionism was ultimately worthwhile. Not long after Scott signed to Shout, he and Berns co-wrote "Are You Lonely For Me?", a track that reportedly required over a hundred vocal takes to complete. Today's selection is one of many gems from the latter period. Following this, he relocated to Columbia for a brief stint before signing on with Bert Berns' fledgling Shout label in 1966. Scott made the absolute best of being the songwriters' second choice, crafting a single for Colpix Records that climbed into the top ten on the R&B and pop charts. What is often noted to be a pivotal point in his musical career came in 1962, when Gerry Goffin and Carole King approached him to sing a song called "Hey Girl" that was originally intended for Chuck Jackson.
![though my soul may set in darkness though my soul may set in darkness](https://cdn.quotesgram.com/img/74/25/1499667136-the_old_astronomer-246871.jpg)
Later that same year he was called to military duty in Korea, but continued to record sides for a few different labels during and in the years following that period. His first solo single was "Running Home", a song he recorded for the J&S label in 1956. Although he initially went to college to study medicine, Freddie joined the Swanee Quintet Juniors and altered his career path to pursue his musical aspirations. Scott was born in Providence, Rhode Island in 1933, and had his first musical experience singing with his grandmother's group, Sally Jones & The Gospel Keyes, as a young teenager. Although I've featured Scott's work in the past (most recently his oft-sampled tune, "(You) Got What I Need"), I felt compelled to write a bit more about his legacy since I failed to do a proper memorial at the time of his death. One of the losses that hit me the hardest was that of Freddie Scott, who passed away this summer on the 4th of June. Within that time frame, we've witnessed the death of James Brown, Alice Coltrane, Eldee Young (Young Holt Trio), Billy Henderson (Detroit Spinners), Joe Hunter, Barbara McNair, Luther Ingram, Dakota Staton, Zola Taylor (The Platters), Alex Brown (The Persuaders), Alvin Batiste, Tony Thompson, Dorothy 'Kim' Tolliver, Richard 'Kush' Griffith, Nellie Lutcher, Bill Pinkney (The Drifters), Max Roach, Jon Lucien, Willie Tee, and more. With the unfortunate passing of Bobby Byrd this past week, I began to reflect on how many legendary artists we've lost in just the past year or so.